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Spring: 'A dazzling hymn to hope’ Observer: 3 (Seasonal Quartet, 3) Paperback – 12 Mar. 2020
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SUNDAY TIMES NUMBER ONE BESTSELLER
A once-in-a-generation series, Ali Smith's Seasonal Quartet is a tour-de-force about love, time, art, politics, and how we live now.
'Her best yet, a dazzling hymn to hope, uniting the past and present with a chorus of voices' Observer
What unites Katherine Mansfield, Charlie Chaplin, Shakespeare, Rilke, Beethoven, Brexit, the present, the past, the north, the south, the east, the west, a man mourning lost times, a woman trapped in modern times?
Spring. The great connective.
With an eye to the migrancy of story over time, and riffing on Pericles, one of Shakespeare's most resistant and rollicking works, Ali Smith tells the impossible tale of an impossible time. In a time of walls and lockdown Smith opens the door.
The time we're living in is changing nature. Will it change the nature of story?
Hope springs eternal.
Discover all four instalments: Autumn, Winter, Spring and Summer. Ali Smith's new novel, Companion piece, is available now.
*****
'An astonishing accomplishment and a book for all seasons' Independent
'Smith is a masterful storyteller . . . Savour it' Evening Standard
'Infectious in its energy and warmth' Daily Telegraph
- Print length352 pages
- LanguageEnglish
- PublisherPenguin
- Publication date12 Mar. 2020
- Dimensions12.9 x 2 x 19.7 cm
- ISBN-10024197335X
- ISBN-13978-0241973356
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From the Publisher


Product description
Review
Is there a writer so critically acclaimed and universally beloved? ...Autumn, Winter and Spring are stories of the unlikely connections human beings can make and the cost exacted when those connections are broken. They are state of the nation novels which understand that the nation is you, is me, is all of us: the nation is our choices, our fears, our losses... [Ali Smith] is the national novelist we need in 2019 ― New Statesman
An astonishing accomplishment and a book for all seasons ― Independent
Smith is a masterful storyteller... Spring is political but Smith is more concerned with the human fallout of current affairs then the machinations of elites... Through her account of unlikely friendships, Smith brings human values to the fore. Savour it, because there is just one instalment left ― Evening Standard
Spring weaves a story around the most pressing issues of our time... [A] bubbling, babbling brook of a book...Smith tells stories in a voice you can't help but listen to ― The Times
A powerful vision of lost souls in a divided Britain... As Smith's Seasonal Quartet moves towards completion her own role in British fiction looks ever more vital. The final page proclaims spring 'the great connective'. It's not a bad description of Smith herself ― Guardian
Beguiling... The eagerly awaited third instalment ― Financial Times
Infectious in its energy and warmth ― Daily Telegraph
Just when things were starting to look really bad, along comes the third instalment in Ali Smith's seasonal quartet to lift us out of the gloom... An extraordinary embodiment of the ways in which storytelling connects us... The work of Katherine Mansfield and Rilke, Greek myths and the propulsive lyricism of spring itself, thread together in narratives of loss and rejuvenation ― Daily Mail
The third of her exceptional Seasonal quartet, which riffs back and forth with Autumn and Winter to expound on the importance of hope to move us beyond the darkest of times ― I paper
From the Back Cover
About the Author
Product details
- Publisher : Penguin; 1st edition (12 Mar. 2020)
- Language : English
- Paperback : 352 pages
- ISBN-10 : 024197335X
- ISBN-13 : 978-0241973356
- Dimensions : 12.9 x 2 x 19.7 cm
- Best Sellers Rank: 177,726 in Books (See Top 100 in Books)
- 938 in Political Fiction (Books)
- 1,526 in Women's Literary Fiction (Books)
- 7,691 in Literary Fiction (Books)
- Customer reviews:
About the author

Ali Smith CBE FRSL (born August 1962 in Inverness) is a Scottish writer.
She was born to working-class parents, raised in a council house in Inverness and now lives in Cambridge. She studied at the University of Aberdeen and then at Newnham College, Cambridge, for a PhD that she never finished. She worked as a lecturer at University of Strathclyde until she fell ill with CFS/ME. Following this she became a full-time writer and now writes for The Guardian, The Scotsman, and the Times Literary Supplement. Openly gay, she lives in Cambridge with her partner filmmaker Sarah Wood.
In 2007 she was elected a Fellow of the Royal Society of Literature
In 2009, she donated the short story Last (previously published in the Manchester Review Online) to Oxfam's 'Ox-Tales' project, four collections of UK stories written by 38 authors. Her story was published in the 'Fire' collection.
Smith was appointed Commander of the Order of the British Empire (CBE) in the 2015 New Year Honours for services to literature.
Bio from Wikipedia, the free encyclopedia.
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Customers find the book absolutely marvellous and appreciate its interesting and thoughtful writing, with one review highlighting its powerful commentary on social media. The narrative quality receives mixed reactions from customers.
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Customers find the book beautiful and absolutely marvellous, with one customer describing it as an absorbing novel.
"...to research and find out, but it is just a fascinating and exciting book to read just for the joy of reading it...." Read more
"...Within the pages of this wholly absorbing novel, macro-issues such as the impact of Brexit, immigrant control (and abuse) and racism blend in with..." Read more
"...embedded in writing, which manages to be both gossamer light and deeply thought...." Read more
"...stories, and cultural references into a novel that feels fresh and imaginative, but also biting and clever...." Read more
Customers appreciate the writing quality of the book, finding it interesting and thoughtful, with one customer noting how it blends contemporary politics and cultural references.
"...They reflect society today so well: how people hide behind social media and the internet to say whatever they want to without fear of any..." Read more
"This is real virtuoso stuff. Two entwined and equally engrossing narrative lines embedded in writing, which manages to be both gossamer light and..." Read more
"This is not an easy read, I found it hard to follow what was happening - what was real, and what imaginary...." Read more
"...what she's trying to do, and sometimes the writing can be interesting and thoughtful - she's at her best when she blends fiction with writing about..." Read more
Customers have mixed reactions to the narrative quality of the book, with some finding it engaging and thought-provoking, while others describe it as indescribably miserable.
"...these books if you want to research and find out, but it is just a fascinating and exciting book to read just for the joy of reading it...." Read more
"...is so spuriously used, and so thinly structured that I can barely relate or care...." Read more
"...other writers, and bits on Rilke and Mansfield (sometimes) added to the narrative nicely. I felt the characters were zeitgeisty and often fell flat...." Read more
"...Once again, Smith blends contemporary politics, intertwined stories, and cultural references into a novel that feels fresh and imaginative, but also..." Read more
Reviews with images

As I say at the beginning: strange!
Top reviews from United Kingdom
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- Reviewed in the United Kingdom on 3 May 2021This is Britain now. This book describes what it is to live in Britain in 2019. The previous two books in the seasonal quartet looked at the Brexit vote, Trump’s election, and this one seems to have a central theme of borders and immigration (although you could argue that immigration seems to have been an overarching theme so far).
There is so much going on beneath the surface in these books if you want to research and find out, but it is just a fascinating and exciting book to read just for the joy of reading it.
I loved the “What we want”, “Any time at all. Here take it. Take my face”, and “Now for 140 seconds of cutting edge realism” chapters. They reflect society today so well: how people hide behind social media and the internet to say whatever they want to without fear of any repercussions, and the violence behind what they say (both obvious and insidious).
Ali Smith is just so clever, and I love her books. I can’t wait to see what Summer will hold for us.
- Reviewed in the United Kingdom on 20 January 2025This is the third instalment of Ali Smith’s Seasons Quartet and I continue to marvel at how she manages to weave in the season into her tale, touch on topical issues unrelated to Spring, and still make everything click.
As is to be expected from an Ali Smith story/novel, it begins anywhere but from the beginning, which gives an immediacy to the narrative that can be unsettling for some readers. I suspect this “in media res” narrative technique is what puts off more readers than it should, which is a pity.
There are really two stories in this novel, and the first is about a film director Richard who is mourning the loss of his mentor/collaborator/sometime lover and friend Paddy. The references to art, film and literature are fascinating and it is amazing how Smith layers on fact upon fiction upon fact about Katherine Mansfield and her connection with Rainer Maria Rilke.
The second story (which will segue into the first in AliSmithian fashion) is what captivates me more. The familiar unexplained stranger figure emerges in the form of a 12-year-old schoolgirl who somehow manages to walk into an immigrant detention centre and causes an upheaval. Her interactions with a young officer Brit are full of lively humour and pithy sayings that engage the reader.
Within the pages of this wholly absorbing novel, macro-issues such as the impact of Brexit, immigrant control (and abuse) and racism blend in with the micro about love and family and what we believe and stand for in our lives. It is amazing how Smith makes it all work together so seamlessly in one compact but not so short novel.
I am loathe to come to the end of the quartet and yet cannot wait to embark on Summer next. Let’s see how long I hold out.
- Reviewed in the United Kingdom on 14 December 2023This is real virtuoso stuff. Two entwined and equally engrossing narrative lines embedded in writing, which manages to be both gossamer light and deeply thought. A wonderful if highly disturbing reflection on man's inhumanity to man . Fabulous....on to Summer.
- Reviewed in the United Kingdom on 7 August 2020I feel like the only person who has found Ali Smith's seasonal quartet consistently underwhelming. I understand what she's trying to do, and sometimes the writing can be interesting and thoughtful - she's at her best when she blends fiction with writing about other writers, and bits on Rilke and Mansfield (sometimes) added to the narrative nicely. I felt the characters were zeitgeisty and often fell flat. It feels like Smith is trying too hard to make a political point that she neglects to write a novel...not for me but I know many love Smith's novels so clearly there's something there!
- Reviewed in the United Kingdom on 1 October 2019I only read book because it's on the Guardian's Not the Booker prize 2019 shortlist and I am so glad I did.
I have always been put off the seasonal quartet as I am not really into magic realism as a device usually. However here it is so lightly and cleverly and lightly used you hardly know it's there. The main point of the books existence is it's savage critique of the times in which we live. In this case turning a light on our in humane imagination system.
- Reviewed in the United Kingdom on 1 June 2019Spring is the third novel in Ali Smith’s Seasonal Quartet, and it is the story of migration, place, and grief. Once again, Smith blends contemporary politics, intertwined stories, and cultural references into a novel that feels fresh and imaginative, but also biting and clever. There is a focus on immigration—with a lot of clever punning and also harsh realities of detention centres—and also on the divisions in Britain, as seen across the other novels as well. There’s also quite a theme of afterlives, not quite the rebirth of spring but of the ways people live on and even speak after death.
Possibly the most engrossing of the quartet so far, Spring feels very typically Ali Smith whilst also capturing something about spring and something about contemporary British, migration, and otherness.
- Reviewed in the United Kingdom on 19 July 2020I am totally addicted to this series. I cannot heap enough praise on it. I love identifying all the threads and details and themes that lock the books together. I feel like a detective. This is perhaps the darkest read of the three, so far. The main story being about refugees and detention centres in the UK, which makes for hard reading at times, particularly when you know that Smith will have done her research and the details are real details even if the story itself is fiction. Having said that, there is always hope and there are still moments of great humour and lightness of touch that lift the book. I don't really have the words to describe how brilliant this series is and how it speaks to me on so many levels. Love it.
- Reviewed in the United Kingdom on 18 August 2021Ali Smith makes great and ambitious use of language and literary technique to forge this novel. Her prose is at times poetic and merges with the surreal storyline to create a vital brew that often speaks a wisdom beyond the literal.
Top reviews from other countries
- jklReviewed in the United States on 27 August 2020
5.0 out of 5 stars The Ali Smith seasons series is one of the greatest book series I have ever read
I have yet to get Summer because I can't stand that this series is coming to an ending, I have so loved Autumn, Winter, Spring.....Spring is a very interesting take on the refugee crisis/immigration in the usual Ali Smith way. Lovely characters, lovely insight into this modern world. I really can't say enough about what a delight these books have been to read. Ali Smith is a very gifted author, I've read a couple of her other works and am just so grateful I found her through these seasons books.
- Pallavi (pals_bookshelf)Reviewed in India on 16 July 2021
5.0 out of 5 stars Ali Smith is a genius!
"Winter has Epiphany. Spring's gifts are different.
Month of dead deities coming back to life.
In the french revolutionary calendar, along with the last days of March, it becomes Germinal, the month of return to the source, to the seed, to the germ of things, which is maybe why Zola gave the novel he wrote about hopeless hope this revolutionary title.
April the anarchic, the final month, of spring the great connective.
Pass any flowering bush or tree and you can't not hear it, the buzz of the engine, the new life already at work in it, time's factory."
.
Another great book by Ali Smith.
Another book that's very hard to review!
Spring is the third book in the seasonal quartet. The writing often reminds me of an old slide projector, with each photographic slide having a unique memory, but still interconnected with each other. Ali Smith directs us towards the future by talking about Now, and by remembering past. We often get a flavour of "history repeats itself," leading to the important question, what are we going to do about it?
The characters never over power the story. They act as catalysts nudging us towards the bigger picture. After reading her books, I always feel like something has shifted inside me, that I am not the same person as I was before.
Probably, a change of season!
.
I really can't explain the book to you, but I want you to experience it for yourself. You don't need to read Autumn or Winter before Spring, but they do help to get acquainted with her style of writing. However, I found Spring to be quite easier than the previous two!
Pallavi (pals_bookshelf)Ali Smith is a genius!
Reviewed in India on 16 July 2021
Month of dead deities coming back to life.
In the french revolutionary calendar, along with the last days of March, it becomes Germinal, the month of return to the source, to the seed, to the germ of things, which is maybe why Zola gave the novel he wrote about hopeless hope this revolutionary title.
April the anarchic, the final month, of spring the great connective.
Pass any flowering bush or tree and you can't not hear it, the buzz of the engine, the new life already at work in it, time's factory."
.
Another great book by Ali Smith.
Another book that's very hard to review!
Spring is the third book in the seasonal quartet. The writing often reminds me of an old slide projector, with each photographic slide having a unique memory, but still interconnected with each other. Ali Smith directs us towards the future by talking about Now, and by remembering past. We often get a flavour of "history repeats itself," leading to the important question, what are we going to do about it?
The characters never over power the story. They act as catalysts nudging us towards the bigger picture. After reading her books, I always feel like something has shifted inside me, that I am not the same person as I was before.
Probably, a change of season!
.
I really can't explain the book to you, but I want you to experience it for yourself. You don't need to read Autumn or Winter before Spring, but they do help to get acquainted with her style of writing. However, I found Spring to be quite easier than the previous two!
Images in this review
- IAN ANDREW PORTERReviewed in Australia on 2 June 2019
5.0 out of 5 stars Her writing gets better and better and better
Ali Smith’s Spring is darker than the two books preceding it; and again uses art as a focus as it makes us face the nastiness of the immigration detention era through many pairs of eyes. Beautiful and marvellous and sad, made me cry as I finished it.
- DerekReviewed in Ireland on 6 May 2025
2.0 out of 5 stars Damaged in delivery
Book is excellent, but arrived torn and damaged
-
M.A.Reviewed in Italy on 16 September 2023
5.0 out of 5 stars libro squisito
Come al solito per Slmith, porta il lettore in un viaggio incredibile in un paesaggio curioso pieno in definita i speranza