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In the Woods: A stunningly accomplished psychological mystery which will take you on a thrilling journey through a tangled web of evil and beyond - to ... (Dublin Murder Squad series Book 1) Kindle Edition
When he was twelve years old, Adam Ryan went playing in the woods with his two best friends. He never saw them again. Their bodies were never found, and Adam himself was discovered with his back pressed against an oak tree and his shoes filled with blood. He had no memory of what had happened.
Twenty years on, Rob Ryan - the child who came back - is a detective in the Dublin police force. He's changed his name. No one knows about his past. Then a little girl's body is found at the site of the old tragedy and Rob is drawn back into the mystery. Knowing that he would be thrown off the case if his past were revealed, Rob takes a fateful decision to keep quiet but hope that he might also solve the twenty-year-old mystery of the woods.
- LanguageEnglish
- PublisherHodder & Stoughton
- Publication date13 Nov. 2008
- File size3.3 MB
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From the Publisher


Product description
Review
French expertly walks the line between police procedurial and psychological thriller in her debut.' ― Publishers Weekly
'This is a wonderfully assured and beautifully written debut novel, a multilayered psychological thriller that digs beneath the surface of ordinary lives and delivers excitement and insight in large helpings.' ― Irish Independent
A masterpiece ― Evening Herald
Beneath the lyrical descriptions of hot summers and happy childhood memories in small town Ireland lies an unsettling psychological thriller... A compelling page-turner of sinuous twists and turns. ― Choice Magazine
A must-read is Irish writer Tana French's IN THE WOODS, a literary, dark and absolutely compelling book set in Dublin where all manner of secrets are unearthed. ― Reviewing the evidence
A real show-stopper of a thriller . . . Author tightens the tension slowly until squealing point; Ryan's increasingly taut relationship with Maddox is woven cunningly around the crime plot. A splendid, page-turning debut. ― She
A compellingly complex case with nuanced characters and a richly detailed sense of place ― Kirkus Reviews
Lyrical and haunting ― Scotland on Sunday
This astonishing first novel weaves a web of intrigue to confound even the most astute: and its denouement, swift, shocking and sublimely executed, will remain with the reader long after the final page has been turned. ― Margaret Carragher Sunday Independent Dublin
Tana French's IN THE WOODS is a terrific debut . . . French's psychological insights into the damaged policeman's torment combine grippingly with the clammy atmosphere that surrounds the lethal woods. As an example of a novel in which the past returns to haunt the present, this scores very high marks. ― Marcel Berlins, The Times
A brilliant first novel . . . the reader's attention is slackened and tightened with a masterly hand. ― Literary Review
About the Author
Tana French grew up in Ireland, Italy, the United States and Malawi. She is the author of In the Woods (winner of the Edgar, Anthony, Macavity and Barry awards for Best First Novel), The Likeness, Faithful Place, Broken Harbour (winner of the LA Times prize for Best Mystery/Thriller), The Secret Place and The Trespasser (Crime Fiction Book of the Year, Irish Book Awards).
She lives in Dublin with her husband and two children.
www.tanafrench.com
Excerpt. © Reprinted by permission. All rights reserved.
Picture a summer stolen whole from some coming-of-age film set in small-town 1950s. This is none of Ireland&;s subtle seasons mixed for a connoisseur&;s palate, watercolor nuances within a pinch-sized range of cloud and soft rain; this is summer full-throated and extravagant in a hot pure silkscreen blue. This summer explodes on your tongue tasting of chewed blades of long grass, your own clean sweat, Marie biscuits with butter squirting through the holes and shaken bottles of red lemonade picnicked in tree houses. It tingles on your skin with BMX wind in your face, ladybug feet up your arm; it packs every breath full of mown grass and billowing wash lines; it chimes and fountains with birdcalls, bees, leaves and football-bounces and skipping-chants, One! two! three! This summer will never end. It starts every day with a shower of Mr. Whippy notes and your best friend&;s knock at the door, finishes it with long slow twilight and mothers silhouetted in doorways calling you to come in, through the bats shrilling among the black lace trees. This is Everysummer decked in all its best glory.
Picture an orderly little maze of houses on a hill, only a few miles from Dublin. Someday, the government declared, this will be a buzzing marvel of suburban vitality, a plan-perfect solution to overcrowding and poverty and every urban ill; for now it is a few handfuls of cloned semi-detacheds, still new enough to look startled and gauche on their hillside. While the government rhapsodized about McDonald&;s and multiscreens, a few young families&;escaping from the tenements and outdoor toilets that went unmentioned in 1970s Ireland, or dreaming big back gardens and hopscotch roads for their children, or just buying as close to home as a teacher&;s or bus driver&;s salary would let them&;packed rubbish bags and bumped along a two-track path, grass and daisies growing down the middle, to their mint-new start.
That was ten years ago, and the vague strobe-light dazzle of chain stores and community centers conjured up under &;infrastructure&; has so far failed to materialize (minor politicians occasionally bellow in the Dáil, unreported, about shady land deals). Farmers still pasture cows across the road, and night flicks on only a sparse constellation of lights on the neighboring hillsides; behind the estate, where the someday plans show the shopping center and the neat little park, spreads a square mile and who knows how many centuries of wood.
Move closer, follow the three children scrambling over the thin membrane of brick and mortar that holds the wood back from the semi-ds. Their bodies have the perfect economy of latency; they are streamlined and unselfconscious, pared to light flying machines. White tattoos&;lightning bolt, star, A&;flash where they cut Band-Aids into shapes and let the sun brown around them. A flag of white-blond hair flies out: toehold, knee on the wall, up and over and gone.
The wood is all flicker and murmur and illusion. Its silence is a pointillist conspiracy of a million tiny noises&;rustles, flurries, nameless truncated shrieks; its emptiness teems with secret life, scurrying just beyond the corner of your eye. Careful: bees zip in and out of cracks in the leaning oak; stop to turn any stone and strange larvae will wriggle irritably, while an earnest thread of ants twines up your ankle. In the ruined tower, someone&;s abandoned stronghold, nettles thick as your wrist seize between the stones, and at dawn rabbits bring their kittens out from the foundations to play on ancient graves.
These three children own the summer. They know the wood as surely as they know the microlandscapes of their own grazed knees; put them down blindfolded in any dell or clearing and they could find their way out without putting a foot wrong. This is their territory, and they rule it wild and lordly as young animals; they scramble through its trees and hide-and-seek in its hollows all the endless day long, and all night in their dreams.
They are running into legend, into sleepover stories and nightmares parents never hear. Down the faint lost paths you would never find alone, skidding round the tumbled stone walls, they stream calls and shoelaces behind them like comet-trails. And who is it waiting on the riverbank with his hands in the willow branches, whose laughter tumbles swaying from a branch high above, whose is the face in the undergrowth in the corner of your eye, built of light and leaf-shadow, there and gone in a blink?
These children will not be coming of age, this or any other summer. This August will not ask them to find hidden reserves of strength and courage as they confront the complexity of the adult world and come away sadder and wiser and bonded for life. This summer has other requirements for them.
1
What I warn you to remember is that I am a detective. Our relationship with truth is fundamental but cracked, refracting confusingly like fragmented glass. It is the core of our careers, the endgame of every move we make, and we pursue it with strategies painstakingly constructed of lies and concealment and every variation on deception. The truth is the most desirable woman in the world and we are the most jealous lovers, reflexively denying anyone else the slightest glimpse of her. We betray her routinely, spending hours and days stupor-deep in lies, and then turn back to her holding out the lover&;s ultimate Möbius strip: But I only did it because I love you so much.
I have a pretty knack for imagery, especially the cheap, facile kind. Don&;t let me fool you into seeing us as a bunch of parfit gentil knights galloping off in doublets after Lady Truth on her white palfrey. What we do is crude, crass and nasty. A girl gives her boyfriend an alibi for the evening when we suspect him of robbing a north-side Centra and stabbing the clerk. I flirt with her at first, telling her I can see why he would want to stay home when he&;s got her; she is peroxided and greasy, with the flat, stunted features of generations of malnutrition, and privately I am thinking that if I were her boyfriend I would be relieved to trade her even for a hairy cellmate named Razor. Then I tell her we&;ve found marked bills from the till in his classy white tracksuit bottoms, and he&;s claiming that she went out that evening and gave them to him when she got back.
I do it so convincingly, with such delicate crosshatching of discomfort and compassion at her man&;s betrayal, that finally her faith in four shared years disintegrates like a sand castle and through tears and snot, while her man sits with my partner in the next interview room saying nothing except &;Fuck off, I was home with Jackie,&; she tells me everything from the time he left the house to the details of his sexual shortcomings. Then I pat her gently on the shoulder and give her a tissue and a cup of tea, and a statement sheet.
This is my job, and you don&;t go into it&;or, if you do, you don&;t last&;without some natural affinity for its priorities and demands. What I am telling you, before you begin my story, is this&;two things: I crave truth. And I lie.
This is what I read in the file, the day after I made detective. I will come back to this story again and again, in any number of different ways. A poor thing, possibly, but mine own: this is the only story in the world that nobody but me will ever be able to tell.
On the afternoon of Tuesday, August 14, 1984, three children&;Germaine (&;Jamie&;) Elinor Rowan, Adam Robert Ryan and Peter Joseph Savage, all aged twelve&;were playing in the road where their houses stood, in the small County Dublin town of Knocknaree. As it was a hot, clear day, many residents were in their gardens, and numerous witnesses saw the children at various times during the afternoon, balancing along the wall at the end of the road, riding their bicycles and swinging on a tire swing.
Knocknaree was at that time very sparsely developed, and a sizable wood adjoined the estate, separated from it by a five-foot wall. Around 3:00 p.m., the three children left their bicycles in the Savages&; front garden, telling Mrs. Angela Savage&;who was in the garden hanging washing on the line&;that they were going to play in the wood. They did this often and knew that part of the wood well, so Mrs. Savage was not worried that they would become lost. Peter had a wristwatch, and she told him to be home by 6:30 for his tea. This conversation was confirmed by her next-door neighbor, Mrs. Mary Therese Corry, and several witnesses saw the children climbing over the wall at the end of the road and going into the wood.
When Peter Savage had not returned by 6:45 his mother called around to the mothers of the other two children, assuming he had gone to one of their houses. None of the children had returned. Peter Savage was normally reliable, but the parents did not at that point become worried; they assumed that the children had become absorbed in a game and forgotten to check the time. At approximately five minutes to seven, Mrs. Savage went around to the wood by the road, walked a little way in and called the children. She heard no answer and neither saw nor heard anything to indicate any person was present in the wood.
She returned home to serve tea to her husband, Mr. Joseph Savage, and their four younger children. After tea, Mr. Savage and Mr. John Ryan, Adam Ryan&;s father, went a little further into the wood, called the children and again received no response. At 8:25, when it was beginning to grow dark, the parents became seriously worried that the children might have become lost, and Miss Alicia Rowan (Germaine&;s mother, a single parent), who had a telephone, rang the police.
A search of the wood began. There was at this point some fear that the children might have run away. Miss Rowan had decided that Germaine was to go to boarding school in Dublin, remaining there during the week and returning to Knocknaree at weekends; she had been scheduled to leave two weeks later, and all three children had been very upset at the thought of being separated. However, a preliminary search of the children&;s rooms revealed that no clothing, money or personal items appeared to be missing. Germaine&;s piggy bank, in the form of a Russian doll, contained £5.85 and was intact.
At 10:20 p.m. a policeman with a torch found Adam Ryan in a densely wooded area near the center of the wood, standing with his back and palms pressed against a large oak tree. His fingernails were digging into the trunk so deeply that they had broken off in the bark. He appeared to have been there for some time but had not responded to the searchers&; calling. He was taken to hospital. The Dog Unit was called in and tracked the two missing children to a point not far from where Adam Ryan had been found; there the dogs became confused and lost the scent.
When I was found I was wearing blue denim shorts, a white cotton T-shirt, white cotton socks and white lace-up running shoes. The shoes were heavily bloodstained, the socks less heavily. Later analysis of the staining patterns showed that the blood had soaked through the shoes from the inside outwards; it had soaked through the socks, in lesser concentrations, from the outside in. The implication was that the shoes had been removed and blood had spilled into them; some time later, when it had begun to coagulate, the shoes had been replaced on my feet, thus transferring blood to the socks. The T-shirt showed four parallel tears, between three and five inches in length, running diagonally across the back from the mid-left shoulder blade to the right back ribs.
I was uninjured except for some minor scratches on my calves, splinters (later found to be consistent with the wood of the oak tree) under my fingernails, and a deep abrasion on each kneecap, both beginning to form scabs. There was some uncertainty as to whether the grazes had been made in the wood or not, as a younger child (Aideen Watkins, aged five) who had been playing in the road stated that she had seen me fall from a wall earlier that day, landing on my knees. However, her statement varied with retelling and was not considered reliable. I was also near-catatonic: I made no voluntary movement for almost thirty-six hours and did not speak for a further two weeks. When I did, I had no memory of anything between leaving home that afternoon and being examined in the hospital.
The blood on my shoes and socks was tested for ABO type&;DNA analysis was not a possibility in Ireland in 1984&;and found to be type A positive. My blood was also found to be type A positive; however, it was judged to be unlikely that the abrasions on my knees, although deep, could have drawn enough blood to cause the heavy soaking in the running shoes. Germaine Rowan&;s blood had been tested prior to an appendectomy two years earlier, and her records showed that she was also A positive. Peter Savage, though no blood type was on record for him, was eliminated as the source of the stains: both his parents were found to be type O, making it impossible that he could be anything else. In the absence of conclusive identification, investigators could not eliminate the possibility that the blood had come from a fourth individual, nor the possibility that it originated from multiple sources.
The search continued throughout the night of August 14 and for weeks thereafter&;teams of volunteers combed the nearby fields and hills, every known bog hole and bog drain in the area was explored, divers searched the river that ran through the wood&;with no result. Fourteen months later, Mr. Andrew Raftery, a local resident walking his dog in the wood, spotted a wristwatch in the undergrowth about two hundred feet from the tree where I had been found. The watch was distinctive&;the face showed a cartoon of a footballer in action, and the second-hand was tipped with a football&;and Mr. and Mrs. Savage identified it as having belonged to their son Peter. Mrs. Savage confirmed that he had been wearing it on the afternoon of his disappearance. The watch&;s plastic strap appeared to have been torn from the metal face with some force, possibly by catching on a low branch when Peter was running. The Technical Bureau identified a number of partial fingerprints on the strap and face; all were consistent with prints found on Peter Savage&;s belongings.
Despite numerous police appeals and a high-profile media campaign, no other trace of Peter Savage and Germaine Rowan was ever found.
I became a policeman because I wanted to be a Murder detective. My time in training and in uniform&;Templemore College, endless complicated physical exercises, wandering around small towns in a cartoonish Day-Glo jacket, investigating which of the three unintelligible local delinquents had broken Mrs. McSweeney&;s garden-shed window&;all felt like an embarrassing daze scripted by Ionesco, a trial by tedium I had to endure, for some dislocated bureaucratic reason, in order to earn my actual job. I never think about those years and cannot remember them with any clarity. I made no friends; to me my detachment from the whole process felt involuntary and inevitable, like the side effect of a sedative drug, but the other cops read it as deliberate superciliousness, a studied sneer at their solid rural backgrounds and solid rural ambitions. Possibly it was. I recently found a diary entry from college in which I described my classmates as &;a herd of mouth-breathing fucktard yokels who wade around in a miasma of cliché so thick you can practically smell the bacon and cabbage and cow shite and altar candles.&; Even assuming I was having a bad day, I think this shows a certain lack of respect for cultural differences.
When I made the Murder squad, I had already had my new work clothes&;beautifully cut suits in materials so fine they felt alive to your fingers, shirts with the subtlest of blue or green pinstripes, rabbit-soft cashmere scarves&;hanging in my wardrobe for almost a year. I love the unspoken dress code. It was one of the things that first fascinated me about the job&;that and the private, functional, elliptical shorthand: latents, trace, Forensics. One of the Stephen King small towns where I was posted after Templemore had a murder: a routine domestic-violence incident that had escalated beyond even the perpetrator&;s expectations, but, because the man&;s previous girlfriend had died in suspicious circumstances, the Murder squad sent down a pair of detectives. All the week they were there, I had one eye on the coffee machine whenever I was at my desk, so I could get my coffee when the detectives got theirs, take my time adding milk and eavesdrop on the streamlined, brutal rhythms of their conversation: when the Bureau comes back on the tox, once the lab IDs the serrations. I started smoking again so I could follow them out to the car park and smoke a few feet from them, staring blindly at the sky and listening. They would give me brief unfocused smiles, sometimes a flick of a tarnished Zippo, before dismissing me with the slightest angle of a shoulder and going back to their subtle, multidimensional strategies. Pull in the ma first, then give him an hour or two to sit at home worrying about what she&;s saying, then get him back in. Set up a scene room but just walk him through it, don&;t give him time for a good look.
Contrary to what you might assume, I did not become a detective on some quixotic quest to solve my childhood mystery. I read the file once, that first day, late on my own in the squad room with my desk lamp the only pool of light (forgotten names setting echoes flicking like bats around my head as they testified in faded Biro that Jamie had kicked her mother because she didn&;t want to go to boarding school, that &;dangerous-looking&; teenage boys spent evenings hanging around at the edge of the wood, that Peter&;s mother once had a bruise on her cheekbone), and then never looked at it again. It was these arcana I craved, these near-invisible textures like a Braille legible only to the initiated. They were like thoroughbreds, those two Murder detectives passing through Ballygobackwards; like trapeze artists honed to a sizzling shine. They played for the highest stakes, and they were experts at their game.
I knew that what they did was cruel. Humans are feral and ruthless; this, this watching through cool intent eyes and delicately adjusting one factor or another till a man&;s fundamental instinct for self-preservation cracks, is savagery in its most pure, most polished and most highly evolved form.
We heard about Cassie days before she joined the squad, probably before she even got the offer. Our grapevine is ridiculously, old-ladyishly efficient. Murder is a high-pressure squad and a small one, only twenty permanent members, and under any added strain (anyone leaving, anyone new, too much work, too little work), it tends to develop a tinge of cabin-fevery hysteria, full of complicated alliances and frantic rumors. I am usually well out of the loop, but the Cassie Maddox buzz was loud enough that even I picked up on it.
For one thing she was a woman, which caused a certain amount of poorly sublimated outrage. We are all well trained to be horrified by the evils of prejudice, but there are deep stubborn veins of nostalgia for the 1950s (even among people my age; in much of Ireland the fifties didn&;t end until 1995, when we skipped straight to Thatcher&;s eighties), when you could scare a suspect into confession by threatening to tell his mammy and the only foreigners in the country were med students and work was the one place where you were safe from nagging females. Cassie was only the fourth woman Murder had taken on, and at least one of the others had been a huge mistake (a deliberate one, according to some people) who had entered squad lore when she nearly got herself and her partner killed by freaking out and throwing her gun at a cornered suspect&;s head.
Also, Cassie was only twenty-eight and only a few years out of Templemore. Murder is one of the elite squads, and nobody under thirty gets taken on unless his father is a politician. Generally you have to spend a couple of years as a floater, helping out wherever someone is needed for legwork, and then work your way up through at least one or two other squads. Cassie had less than a year in Drugs under her belt. The grapevine claimed, inevitably, that she was sleeping with someone important, or alternatively that she was someone&;s illegitimate daughter, or&;with a touch more originality&;that she had caught someone important buying drugs and this job was a payoff for keeping her mouth shut.
I had no problem with the idea of Cassie Maddox. I had been in Murder only a few months, but I disliked the New Neanderthal locker-room overtones, competing cars and competing aftershaves and subtly bigoted jokes justified as &;ironic,&; which always made me want to go into a long pedantic lecture on the definition of irony. On the whole I prefer women to men. I also had complicated private insecurities to do with my own place on the squad. I was almost thirty-one and had two years as a floater and two in Domestic Violence, so my appointment was less sketchy than Cassie&;s, but I sometimes thought the brass assumed I was a good detective in the mindless preprogrammed way that some men will assume a tall, slim, blond woman is beautiful even if she has a face like a hyperthyroid turkey: because I have all the accessories. I have a perfect BBC accent, picked up at boarding school as protective camouflage, and all that colonization takes awhile to wear off: even though the Irish will cheer for absolutely any team playing against England, and I know a number of pubs where I couldn&;t order a drink without risking a glass to the back of the head, they still assume that anyone with a stiff upper lip is more intelligent, better educated and generally more likely to be right. On top of this I am tall, with a bony, rangy build that can look lean and elegant if my suit is cut just right, and fairly good-looking in an offbeat way. Central Casting would definitely think I was a good detective, probably the brilliant maverick loner who risks his neck fearlessly and always gets his man.
I have practically nothing in common with that guy, but I wasn&;t sure anyone else had noticed. Sometimes, after too much solitary vodka, I came up with vivid paranoid scenarios in which the superintendent found out I was actually a civil servant&;s son from Knocknaree and I got transferred to Intellectual Property Rights. With Cassie Maddox around, I figured, people were much less likely to spend time having suspicions about me.
When she finally arrived, she was actually sort of an anticlimax. The lavishness of the rumors had left me with a mental picture of someone on the same TV-drama scale, with legs up to here and shampoo-ad hair and possibly a catsuit. Our superintendent, O&;Kelly, introduced her at Monday-morning parade, and she stood up and said something standard about being delighted to join the squad and hoping she&;d live up to its high standards; she was barely medium height, with a cap of dark curls and a boyish, slim, square-shouldered build. She wasn&;t my type&;I have always liked girlie girls, sweet, tiny bird-boned girls I can pick up and whirl around in a one-armed hug&;but there was something about her: maybe the way she stood, weight on one hip, straight and easy as a gymnast; maybe just the mystery.
&;I heard her family are Masons and they threatened to have the squad dissolved if we didn&;t take her on,&; said Sam O&;Neill, behind me. Sam is a stocky, cheerful, unflappable guy from Galway. I hadn&;t had him down as one of the people who would get swept up in the rumor tsunami.
&;Oh for God&;s sake,&; I said, falling for it. Sam grinned and shook his head at me, and slid past me to a seat. I went back to looking at Cassie, who had sat down and propped one foot against the chair in front of her, leaning her notebook on her thigh.
She wasn&;t dressed like a Murder detective. You learn by osmosis, as soon as you set your sights on the job, that you are expected to look professional, educated, discreetly expensive with just a soupçon of originality. We give the taxpayers their money&;s worth of comforting cliché. We mostly shop at Brown Thomas, during the sales, and occasionally come into work wearing embarrassingly identical soupçons. Up until then, the wackiest our squad had got was this cretin called Quigley, who sounded like Daffy Duck with a Donegal accent and wore slogan T-shirts (MAD BASTARD) under his suits because he thought he was being daring. When he eventually realized that none of us were shocked, or even remotely interested, he got his mammy to come up for the day and take him shopping at BT.
That first day I put Cassie in the same category. She was wearing combat trousers and a wine-colored woollen sweater with sleeves that came down past her wrists, and clunky runners, and I put this down as affectation: Look, I&;m too cool for your conventions. The spark of animosity this ignited increased my attraction to her. There is a side of me that is most intensely attracted to women who annoy me.
I didn&;t register her very much over the next couple of weeks, except in the general way that you do register any decent-looking woman when you&;re surrounded by men. She was being shown the ropes by Tom Costello, our resident grizzled veteran, and I was working on a homeless man found battered to death in an alleyway. Some of the depressing, inexorable flavor of his life had leaked over into his death, and it was one of those cases that are hopeless from the start&;no leads, nobody saw anything, nobody heard anything, whoever killed him was probably so drunk or high he didn&;t even remember doing it&;so my gung-ho newbie sparkle was starting to look a little patchy. I was also partnered with Quigley, which wasn&;t working out; his idea of humor was to reenact large segments of Wallace & Gromitand then do a Woody Woodpecker laugh to show you they were funny, and it was dawning on me that I&;d been teamed up with him not because he would be friendly to the new boy but because nobody else wanted him. I didn&;t have the time or the energy to get to know Cassie. Sometimes I wonder how long we might have gone on like that. Even in a small squad, there are always people with whom you never get beyond nods and smiles in corridors, simply because your paths never happen to cross anywhere else.
We became friends because of her moped, a cream 1981 Vespa that somehow, in spite of its classic status, reminds me of a happy mutt with some border collie in its pedigree. I call it the Golf Cart to annoy Cassie; she calls my battered white Land Rover the Compensation Wagon, with the odd compassionate remark about my girlfriends, or the Ecomobile when she is feeling bolshie. The Golf Cart chose a viciously wet, windy day in September to break down outside work. I was on my way out of the car park and saw this little dripping girl in a red rain jacket, looking like Kenny out of South Park, standing beside this little dripping bike and yelling after a bus that had just drenched her. I pulled over and called out the window, &;Could you use a hand?&;
She looked at me and shouted back, &;What makes you think that?&; and then, taking me completely by surprise, started to laugh.
For about five minutes, as I tried to get the Vespa to start, I fell in love with her. The oversized raincoat made her look about eight, as though she should have had matching Wellies with ladybugs on them, and inside the red hood were huge brown eyes and rain-spiked lashes and a face like a kitten&;s. I wanted to dry her gently with a big fluffy towel, in front of a roaring fire. But then she said, &;Here, let me&;you have to know how to twist the thingy,&; and I raised an eyebrow and said, &;The thingy? Honestly, girls.&;
I immediately regretted it&;I have never been talented at banter, and you never know, she could have been some earnest droning feminist extremist who would lecture me in the rain about Amelia Earhart. But Cassie gave me a deliberate, sideways look, and then clasped her hands with a wet spat and said in a breathy Marilyn voice, &;Ohhh, I&;ve always dreamed of a knight in shining armor coming along and rescuing little me! Only in my dreams he was good-looking.&;
What I saw transformed with a click like a shaken kaleidoscope. I stopped falling in love with her and started to like her immensely. I looked at her hoodie jacket and said, &;Oh my God, they&;re about to kill Kenny.&; Then I loaded the Golf Cart into the back of my Land Rover and drove her home.
She had a studio flat, which is what landlords call a bedsit where there is room to have a friend over, on the top floor of a semi-dilapidated Georgian house in Sandymount. The road was quiet; the wide sash window looked out over rooftops to Sandymount beach. There were wooden bookshelves crammed with old paperbacks, a low Victorian sofa upholstered in a virulent shade of turquoise, a big futon with a patchwork duvet, no ornaments or posters, a handful of shells and rocks and chestnuts on the windowsill.
I don&;t remember very many specifics about that evening, and according to Cassie neither does she. I can remember some of the things we talked about, a few piercingly clear images, but I could give you almost none of the actual words. This strikes me as odd and, in certain moods, as very magical, linking the evening to those fugue states that over the centuries have been blamed on fairies or witches or aliens, and from which no one returns unchanged. But those lost, liminal pockets of time are usually solitary; there is something about the idea of a shared one that makes me think of twins, reaching out slow blind hands in a gravity-free and wordless space.
I know I stayed for dinner&;a studenty dinner, fresh pasta and sauce from a jar, hot whiskey in china mugs. I remember Cassie opening a huge wardrobe that took up most of one wall, to pull out a towel for me to dry my hair. Someone, presumably her, had slotted bookshelves inside the wardrobe. The shelves were set at odd, off-kilter heights and packed with a wild variety of objects: I didn&;t get a proper look, but there were chipped enamel saucepans, marbled notebooks, soft jewel-colored sweaters, tumbles of scribbled paper. It was like something in the background of one of those old illustrations of fairy-tale cottages.
I do remember finally asking, &;So how did you end up in the squad?&; We had been talking about how she was settling in, and I thought I had dropped it in pretty casually, but she gave me a tiny, mischievous smile, as though we were playing checkers and she had caught me trying to distract her from a clumsy move.
&;Being a girl, you mean?&;
&;Actually, I meant being so young,&; I said, although of course I had been thinking of both.
&;Costello called me &;son&; yesterday,&; Cassie said. &;&;Fair play to you, son.&; Then he got all flustered and stammery. I think he was afraid I&;d sue.&;
&;It was probably a compliment, in its own way,&; I said.
&;That&;s how I took it. He&;s quite sweet, really.&; She tucked a cigarette in her mouth and held out her hand; I threw her my lighter.
&;Someone told me you were undercover as a hooker and ran into one of the brass,&; I said, but Cassie just tossed the lighter back to me and grinned.
&;Quigley, right? He told me you were an MI6 mole.&;
&;What?&; I said, outraged and falling straight into my own trap. &;Quigley is a cretin.&;
&;Gee, you think?&; she said, and started to laugh. After a moment I joined in. The mole thing bothered me&;if anyone actually believed it, they would never tell me anything again&;and being taken for English infuriates me to an irrational degree, but I sort of enjoyed the absurd idea of me as James Bond.
&;I&;m from Dublin,&; I said. &;I got the accent at boarding school in England. And that lobotomized bogger knows it.&; Which he did; in my first weeks on the squad he had pestered me so monotonously about what an English guy was doing in the Irish police force, like a child poking you in the arm and droning &;Why? Why? Why?&; that I had finally broken my need-to-know rule and explained the accent. Apparently I should have used smaller words.
&;What are you doing working with him?&; Cassie asked.
&;Quietly losing my mind,&; I said.
Something, I&;m still not sure what, had made up Cassie&;s mind. She leaned sideways, switching her mug to the other hand (she swears we were drinking coffee by that stage and claims that I only think it was hot whiskey because we drank it so often that winter, but I know, I remember the sharp prongs of a clove on my tongue, the heady steam), and pulled up her top to just under her breast. I was so startled that it took me a moment to realize what she was showing me: a long scar, still red and raised and spidered with stitch marks, curving along the line of a rib. &;I got stabbed,&; she said.
It was so obvious that I was embarrassed nobody had thought of it. A detective wounded on duty gets his or her choice of assignment. I suppose we had overlooked this possibility because normally a stabbing would have practically shorted out the grapevine; we had heard nothing about this.
&;Jesus,&; I said. &;What happened?&;
&;I was undercover in UCD,&; Cassie said. This explained both the clothes and the information gap&;undercover are serious about secrecy. &;That&;s how I made detective so fast: there was a ring dealing on campus, and Drugs wanted to find out who was behind it, so they needed people who could pass for students. I went in as a psychology postgrad. I did a few years of psychology at Trinity before Templemore, so I could talk the talk, and I look young.&;
She did. There was a specific clarity about her face that I&;ve never seen in anyone else; her skin was poreless as a child&;s, and her features&;wide mouth, high round cheekbones, tilted nose, long curves of eyebrow&;made other people&;s look smudged and blurry. As far as I could tell she never wore makeup, except for a red-tinted lip balm that smelled of cinnamon and made her seem even younger. Few people would have considered her beautiful, but my tastes have always leaned toward bespoke rather than brand name, and I took far more pleasure in looking at her than at any of the busty blond clones whom magazines, insultingly, tell me I should desire.
&;And your cover got blown?&;
&;No,&; she said, indignant. &;I found out who the main dealer was&;this brain-dead rich boy from Blackrock, studying business, of course&;and I spent months making friends with him, laughing at his crap jokes, proofreading his essays. Then I suggested maybe I could deal to the girls, they&;d be less nervous about buying drugs from another woman, right? He liked the idea, everything was going great, I was dropping hints that maybe it would be simpler if I met the supplier myself instead of getting the stuff through him. Only then Dealer Boy started snorting a little too much of his own speed&;this was in May, he had exams coming up. He got paranoid, decided I was trying to take over his business and stabbed me.&; She took a sip of her drink. &;Don&;t tell Quigley, though. The operation&;s still going on, so I&;m not supposed to talk about it. Let the poor little fucker enjoy his illusions.&;
I was secretly terribly impressed, not only by the stabbing (after all, I told myself, it wasn&;t as though she had done something outstandingly brave or intelligent; she had just failed to dodge fast enough), but by the dark, adrenaline-paced thought of undercover work and by the utter casualness with which she told the story. Having worked hard to perfect an air of easy indifference, I recognize the real thing when I see it.
&;Jesus,&; I said again. &;I bet he got a good going-over when they brought him in.&; I&;ve never hit a suspect&;I find there&;s no need to, as long as you make them think you might&;but there are guys who do, and anyone who stabs a cop is likely to pick up a few bruises en route to the station.
She cocked an eyebrow at me, amused. &;They didn&;t. That would&;ve wrecked the whole operation. They need him to get to the supplier; they just started over with a new undercover.&;
&;But don&;t you want him taken down?&; I said, frustrated by her calm and by my own creeping sense of naïveté. &;Hestabbed you.&;
Cassie shrugged. &;After all, if you think about it, he had a point: I was only pretending to be his friend to screw him over. And he was a strung-out drug dealer. That&;s what strung-out drug dealers do.&;
After that my memory grows hazy again. I know that, determined to impress her in my turn, and never having been stabbed or involved in a shootout or anything, I told her a long and rambling and mostly true story about talking down a guy who was threatening to jump off the roof of a block of flats with his baby, back when I was in Domestic Violence (really, I think I must have been a little drunk: another reason I&;m so sure we had hot whiskey). I remember a passionate conversation about Dylan Thomas, I think, Cassie kneeling up on the sofa and gesturing, her cigarette burning away forgotten in the ashtray. Bantering, smart but tentative as shy circling children, both of us checking covertly after each riposte to make sure we hadn&;t crossed any line or hurt any feelings. Firelight and the Cowboy Junkies, Cassie singing along in a sweet rough undertone.
&;The drugs you got from Dealer Boy,&; I said, later. &;Did you actually sell them to students?&;
Cassie got up to put on the kettle. &;Occasionally,&; she said.
&;Didn&;t that bother you?&;
&;Everything about undercover bothered me,&; Cassie said. &;Everything.&;
When we went into work the next morning we were friends. It really was as simple as that: we planted seeds without thinking, and woke up to our own private beanstalk. At break time I caught Cassie&;s eye and mimed a cigarette, and we went outside to sit cross-legged at either end of a bench, like bookends. At the end of the shift she waited for me, bitching to the air about how long I took to get my things together (&;It&;s like hanging out with Sarah Jessica Parker. Don&;t forget your lip liner, sweetie, we don&;t want the chauffeur to have to go back for it again&;), and said &;Pint?&; on the way down the stairs. I can&;t explain the alchemy that transmuted one evening into the equivalent of years held lightly in common. The only way I can put it is that we recognized, too surely even for surprise, that we shared the same currency.
As soon as she finished learning the ropes with Costello, we partnered up. O&;Kelly put up a bit of a fight&;he didn&;t like the idea of two shiny new rookies working together, and it meant he would have to find something else to do with Quigley&;but I had, by sheer luck rather than shrewd detection, found someone who had heard someone bragging about killing the homeless guy, so I was in O&;Kelly&;s good books, and I took full advantage of it. He warned us that he would give us only the simplest cases and the nohopers, &;nothing that needs real detective work,&; and we nodded meekly and thanked him again, aware that murderers aren&;t considerate enough to ensure that the complex cases come up in strict rotation. Cassie moved her stuff to the desk beside mine, and Costello got stuck with Quigley and gave us sad reproachful looks for weeks, like a martyred Labrador.
Over the next couple of years we developed, I think, a good reputation within the squad. We pulled in the suspect from the alley beating and interrogated him for six hours&;although, if you deleted every recurrence of &;Ah, fuck, man&; from the tape, I doubt it would run over forty minutes&;until he confessed. He was a junkie called Wayne (&;Wayne,&; I said to Cassie, while we were getting him a Sprite and watching him pick his acne in the one-way glass. &;Why didn&;t his parents just tattoo &;Nobody in my family has ever finished secondary school&; on his forehead at birth?&;) and he had beaten up the homeless guy, who was known as Beardy Eddie, for stealing his blanket. After he signed his statement, Wayne wanted to know if he could have his blanket back. We handed him over to the uniforms and told him they would look into it, and then we went back to Cassie&;s with a bottle of champagne and stayed up talking till six in the morning, and came in to work late and sheepish and still a little giggly.
We went through the predictable process where Quigley and a few of the others spent awhile asking me whether I was shagging her and whether, if so, she was any good; once it dawned on them that I genuinely wasn&;t, they moved on to her probable dykehood (I have always considered Cassie to be very clearly feminine, but I could see how, to a certain kind of mind, the haircut and the lack of makeup and the boys&;-department corduroys would add up to Sapphic tendencies). Cassie eventually got bored of this and tidied things up by appearing at the Christmas party with a strapless black velvet cocktail dress and a bullishly handsome rugby player named Gerry. He was actually her second cousin and happily married, but he was heartily protective of Cassie and had no objection to gazing adoringly at her for an evening if it would smooth her career path.
After that, the rumors faded and people more or less left us to our own devices, which suited us both. Contrary to appearances, Cassie is not a particularly social person, any more than I am; she is vivacious and quick with banter and can talk to anyone, but given the choice, she preferred my company to that of a big group. I slept on her sofa a lot. Our solve rate was good and rising; O&;Kelly stopped threatening to split us up every time we were late turning in paperwork. We were in the courtroom to see Wayne found guilty of manslaughter (&;Ah, fuck, man&;). Sam O&;Neill drew a deft little caricature of the two of us as Mulder and Scully (I still have it, somewhere) and Cassie stuck it to the side of her computer, next to a bumper sticker that said BAD COP! NO DOUGHNUT!
In retrospect, I think Cassie came along at just the right time for me. My dazzling, irresistible outsider&;s vision of the Murder squad had not included things like Quigley, or gossip, or interminable circular interrogations of junkies with six-word vocabularies and dentist&;s-drill accents. I had pictured a tensile, heightened mode of existence, everything small and petty bush-fired away by a readiness so charged it snapped sparks, and the reality had left me bewildered and let down, like a child opening a glittering Christmas present and finding woolly socks inside. If it hadn&;t been for Cassie, I think I might have ended up turning into that detective on Law & Order, the one who has ulcers and thinks everything is a government conspiracy.
Product details
- ASIN : B002V091ZW
- Publisher : Hodder & Stoughton (13 Nov. 2008)
- Language : English
- File size : 3.3 MB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 612 pages
- Best Sellers Rank: 11,335 in Kindle Store (See Top 100 in Kindle Store)
- 248 in Irish Crime
- 750 in Crime, Thriller & Mystery Adventures
- 1,409 in Crime Thrillers (Kindle Store)
- Customer reviews:
About the author

Tana French is the author of In the Woods, The Likeness, Faithful Place, Broken Harbor, The Secret Place, and The Trespasser. Her books have won awards including the Edgar, Anthony, Macavity, and Barry awards, the Los Angeles Times Award for Best Mystery/Thriller, and the Irish Book Award for Crime Fiction. She lives in Dublin with her family.
Customer reviews
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Learn more how customers reviews work on AmazonCustomers say
Customers find the book a gripping read with well-written prose and a storyline that twists and turns to keep them interested. The characters are well-constructed, with one review specifically praising Detective Rob Ryan's portrayal. While some customers consider the pacing perfect, others find it slow-moving, and several mention the book is rather long at almost 600 pages.
AI-generated from the text of customer reviews
Customers find the book highly readable, describing it as a riveting and engaging page-turner that makes for a binge read.
"...third, and I'm happy to report that so far, they're as excellent and compelling as the first." Read more
"...The characterisation is excellent on the whole, not just of the main players, but of the team around Rob and Cassie, and of the various people they..." Read more
"...The novel started well, with the mysterious element of the missing children and then the discovery of another body...." Read more
"...novel, knocking just short of 600 pages but it is a great journey for the reader to travel. I loved the mix and balance of this story...." Read more
Customers enjoy the storyline of the book, which features twists and turns that keep readers interested and plenty of suspense.
"...was convincingly crafted; sympathetic without sentimentality, witty, insightful (both with hindsight and without it); the novel is paced perfectly,..." Read more
"...However, the strengths – quality of writing, plotting, characterisation - undoubtedly outweigh the weaknesses – excessive padding, occasional..." Read more
"...of Detective Rob Ryan, a great back story, mystery, a good plot, a good cast of supporting police officers, a good range of suspects for the murder..." Read more
"...But overall, the ending was very disappointing, I expected her to tie up loose ends- normally I'm not one for knowing all of a story or having the..." Read more
Customers praise the writing quality of the book, noting its well-crafted prose and skillful execution, with one customer highlighting its hard-edged realism.
"...Like all brilliant novels, this one made me sorry to reach the end, and sad to take my leave of the characters, wishing there was more and wondering..." Read more
"...However, the strengths – quality of writing, plotting, characterisation - undoubtedly outweigh the weaknesses – excessive padding, occasional..." Read more
"...The concept of the novel was excellent and intriguing and after reading Faithful Place, I had high hopes of the novel...." Read more
"...I found In the Woods a great book to live with. It is written in the first person following Detective Rob Ryan of the Dublin Murder Squad...." Read more
Customers praise the well-constructed characters in the book, noting how the author conveys their internal struggles, with one customer highlighting the strong portrayal of Detective Rob Ryan.
"...The character was convincingly crafted; sympathetic without sentimentality, witty, insightful (both with hindsight and without it); the novel is..." Read more
"...However, the strengths – quality of writing, plotting, characterisation - undoubtedly outweigh the weaknesses – excessive padding, occasional..." Read more
"...Rosalind was also a fascinating character who fitted well in the novel...." Read more
"...It has police procedure, strong characterization of Detective Rob Ryan, a great back story, mystery, a good plot, a good cast of supporting police..." Read more
Customers find the book's story totally gripping from the beginning, with one customer highlighting its first-person narrative and another noting its plenty of tension.
"...; the novel is paced perfectly, with plenty of tension which is uneasily relieved here and there by dark levity...." Read more
"...I did manage to finish the book and found it gripping initially, but after the first 100 or so pages elements really started to annoy me...." Read more
"...Rob and Cassie is so beautifully and painfully explored - fraught, highly strung and touching...." Read more
"Whilst this was well-written and a gripping page-turner in many respects I was left so angry at the end...." Read more
Customers have mixed opinions about the pacing of the book, with some finding it perfectly paced while others describe it as slow moving.
"...was convincingly crafted; sympathetic without sentimentality, witty, insightful (both with hindsight and without it); the novel is paced perfectly,..." Read more
"...Which is pretty lazy. Also the ending was like right okay grand that’s it then. No real edge of the seat can’t wait to read on moments." Read more
"...by French's version of crime fiction, police procedural and psychological thriller, all carefully showing she is a literary fiction writer, who..." Read more
"This is a masterful piece of writing from Tara. Her fresh figures of speech, and her descriptions are polished to a high sheen...." Read more
Customers find the story quality poor, describing it as utterly boring rubbish and unconvincing.
"...The prologue is one of the most overblown, over-written pieces of pure purple I've come across in crime writing, and I barely made it through...." Read more
"...rather a lot in the middle of the book and the narrative cluttered with far too many descriptions, which resulted in me skipping large chunks of it..." Read more
"...better detective than our clumsy plods or it is simply that the book is pretty awful. My money is on the second proposition actually!..." Read more
"...I found the ultimate revelation of who actually ‘done it’, and why, unconvincing and unsatisfying...." Read more
Customers find the book's length excessive, with multiple reviews noting it is almost 600 pages long, and some mentioning they skipped more pages than they read.
"...A more serious weakness is the sheer length of the book in relation to its content...." Read more
"...It's a pretty hefty book and I found a difficult read. The characters were well contstructed, I liked Det...." Read more
"...The book was 600 pages long and half of those pages were just rumblings!..." Read more
"...this the second I'd finished it, but good lord, there are SO many dashes! They're everywhere!..." Read more
Top reviews from United Kingdom
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- Reviewed in the United Kingdom on 4 December 2014Reading the first couple of pages, my heart sank slightly: the author was doing what a lot of 1st-time novelists do, and aiming to impress with self-consciously poetic descriptions. I almost decided to stop reading. But I'm so glad I carried on! Once I'd got past those opening pages, I could barely put the book down. The author relaxed into a confident and truly impressive first-person narrative. The character was convincingly crafted; sympathetic without sentimentality, witty, insightful (both with hindsight and without it); the novel is paced perfectly, with plenty of tension which is uneasily relieved here and there by dark levity. Other characters, even minor ones, are drawn just as vividly and credibly. The character who is eventually revealed as the principal villain is a masterpiece of everyday scariness. There was something disturbingly familiar about this person, which had me wracking my brains anxiously to try and remember whom, in my own life, they reminded me of - as you can tell, this character was truly brought to life! I also loved the way the author handled friendships, relationships between all the characters, the generally human angles. This was all done with a pleasingly economical hand. Once again, although the book is full of heart, full of passions both dark and light, it is not sentimental - a major plus, in my opinion.
The story centres on the murder of a child, but somehow, the death - although, obviously, a tragic event - is not necessarily the most devastating aspect of the tale. We do eventually discover whodunnit, but this is far from the biggest shock.
One of the things I admire most about this novel is that the author does a very brave thing: she avoids the temptation to answer every question and solve every mystery. Indeed, there is one massive mystery which remains so - lesser authors might well have felt the need to tie up every loose end. French resists this trap! Some might find this frustrating and unsatisfying - and in a way, it is - but, I think, in a good way. Personally I find the concept of over-neat 'closure' naive and simplistic - real life just isn't like that, so why should a convincing novel be? Rather than feel disappointed about the unsolved mystery, it amused me, and left half of me admiring French all the more for taking that risk and giving her readers such a refreshing change. Though, of course, the other half of me hopes that French might, at some point in the future, take up this thread of the story again, along with its engaging characters, and show us where it leads!
Like all brilliant novels, this one made me sorry to reach the end, and sad to take my leave of the characters, wishing there was more and wondering what was going to happen to them next. All in all this was a cracking read. It has made a Tana French fan of me: I've bought all her subsequent books now, am halfway through the third, and I'm happy to report that so far, they're as excellent and compelling as the first.
- Reviewed in the United Kingdom on 16 March 2016In 1984, three children went into the woods in Knocknaree. Only one returned, with blood – not his own – in his shoes, so traumatised he is never able to remember what happened. The other two children have never been found. That traumatised child is now a detective on the Murder Squad, Rob Ryan. And when another child is found murdered in Knocknaree, he and his partner Cassie are given the case.
I've heard so many people rave about Tana French that my expectations were very high going into this, and to some degree they were met. I freely admit that I might have given up within a few pages though, if I had heard nothing about the book. The prologue is one of the most overblown, over-written pieces of pure purple I've come across in crime writing, and I barely made it through. Happily, however, having got that out of her system, her writing settles down for the most part to a consistently high standard, only occasionally reverting to purple.
The plot is complex, with several possible motives for why Katy Devlin was murdered. Something about the family seems a bit off, leading the detectives to wonder if there are hidden secrets there. Katy's father is leading a protest movement against a new road and has been threatened by unknown people if he continues, so it looks like there may be a thread of political corruption there. Katy seems to have left her house in the middle of the night, so there's a question of whether she knew her murderer and if so how. Or is it possible that the crime is somehow linked back to the earlier tragedy in the woods? Rob knows he should make his boss aware of his links to the earlier crime and step down from the investigation, but he is desperate to be involved, hoping that somehow his memories will return and he will finally know the truth about what happened back then.
The characterisation is excellent on the whole, not just of the main players, but of the team around Rob and Cassie, and of the various people they come across during the investigation. The one exception, and it's an important one, is the character of Rob himself. Unfortunately, his voice sounded irredeemably feminine to me, not just in his constant focus on emotions and poetic descriptions of his partner Cassie's many perfections, but in actual use of words. (The thought of a straight male Dublin police officer describing one of his straight male colleagues as looking 'adorable' actually made me laugh out loud.) However, the quality of the writing and plotting was high enough to mostly carry me over this weakness.
A more serious weakness is the sheer length of the book in relation to its content. At over 600 pages (according to Amazon – I had the unnumbered Kindle version myself), the book is seriously overpadded. I reckon it could have lost 200-300 pages and been the better for it. While the story of Rob's attempts to regain his lost memories is intriguing, it becomes repetitive after a while, with great swathes of the book devoted to discussing the same event again and again with very little, if anything, being added each time. No matter how well written these digressions may be, they merely serve to make the thing go at a snail's pace – an elderly snail, at that. Even when the main solution is revealed, the book goes on for a further nearly hundred pages tying everything up, or not, as the case may be. And, as many reviewers have pointed out with varying degrees of dissatisfaction, the resolution is partial, with a bit of spooky woo-woo not really providing a satisfactory reward for 600 pages worth of reader perseverance.
However, the strengths – quality of writing, plotting, characterisation - undoubtedly outweigh the weaknesses – excessive padding, occasional drifts into purple prose, failure to resolve a major plot line. As a debut it is good, and I look forward to reading more of her work to see how her style develops as she progresses. 3½ stars for me, so rounded up.
- Reviewed in the United Kingdom on 18 July 2011I read this book after reading Tana French's most recent novel: Faithful Place. The concept of the novel was excellent and intriguing and after reading Faithful Place, I had high hopes of the novel. It's a pretty hefty book and I found a difficult read. The characters were well contstructed, I liked Det. Ryan, I thought he was very well rounded and the background history to his character fitted well with his characterisation. Rosalind was also a fascinating character who fitted well in the novel. I think the only character I struggled with was Cassie, I don't know why but I couldn't warm to her or find a connection to her character. The novel started well, with the mysterious element of the missing children and then the discovery of another body. However, my high hopes for the novel declined because as the novel progressed I felt myself losing interest, the story waned rather a lot in the middle of the book and the narrative cluttered with far too many descriptions, which resulted in me skipping large chunks of it just to get through. The conclusion of the murder was good, very interesting and I liked the way it was thought through. But overall, the ending was very disappointing, I expected her to tie up loose ends- normally I'm not one for knowing all of a story or having the ends tied up, because sometimes it doesn't quite fit. In this case, I think that it was necessary to tie up those loose ends and the fact that the story was left open disappointed me, because I felt like that was the whole point of carrying on reading. I'd have preferred to know what happened to Jamie and Peter, it's too big of a topic to just leave open and I think that the novel could've been far better than it was.
Top reviews from other countries
- Susan MillsReviewed in the United States on 30 March 2022
5.0 out of 5 stars A psychological mystery tour-de-force
One of the murder unit detectives questions a suspect, trying to persuade him to implicate himself, in great detail. She tells him that the ones who suffer the most are the ones who never tell anyone. They hold it in and it slowly eats away at them. They become depressed, guilt-ridden, many commit suicide. While she’s telling him this, she thinks to herself that, unfortunately, it’s not true. Of the people who commit bad acts and are never discovered, many go on with their lives. They manage to bury it inside themselves, to ignore it, to persuade themselves it never happened, to convince themselves they’re good people and what they did was right and necessary, or whatever; but they manage just fine.
This is a trope for the novel as a wholes and for the main character in particular. Rob Ryan, her partner and friend, is involved in the case they’re investigating up to his neck, but is also living with his own buried memories about what happened when he was 12 years old when two of his friends disappeared in the woods one night, forever, and only he was found, with the blood of his friend in his sneakers. The case they’re working on brings him back to the scene, so the nightmarish case they’re working on throws him headlong into his own repressed memories, which begin to emerge and psychologically torture him. What happens with the memories is one of the two mysteries of the novel.
I’m tempted to agree with many people that the lack of resolution to this mystery is frustrating. And so it is. And yet, it also seems very realistic, which in my mind largely redeems French’s choice here. Maybe Ryan can’t live with being conscious of what really happened. Repressing it may just be his best option in order to move on with his life. Which, for sure, has been seriously compromised by those events of his childhood, and their aftermath. The reader wants and hopes and wishes so hard for him to realize something, to overcome his emotional handicaps and right his important relationships. In real life, his struggle, and therefore the reader’s, is likely to be endless. Life is frustrating, and such emotional scars can easily affect us for our entire lives.
The book is deeply crafted, well-written, with complex characters and relationships, each with complicated pasts, and the story challenges the reader. That’s a good thing. I did find it overly verbose at times, but this is a minor criticism. One of the best crime mysteries I’ve read. (This is my first read of a Tana French book, so I can’t compare.)
- Giuseppe GuidaReviewed in the Netherlands on 8 May 2021
1.0 out of 5 stars i dont like the writing style
it misses tension and it doesnt create any thrills. it lacks of emotions. i was just tempted to skip pages and thats when i thought to stop
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DodoReviewed in Germany on 17 December 2012
5.0 out of 5 stars Vielschichtig, subtil, anspruchsvoll. Ein Buch zum Mehrfachlesen.
In der irischen Literatur fallen traditionell sehr oft Wirklichkeit und "Anderswelt" zusammen, Mystisches und Märchenhaftes dringt in den Alltag ein, Feen, Kobolde und andere Wesen bevölkern die Wälder, Hügel, Seen und Flüsse.
Tana French lebt in Dublin und hat sich sicher auch mit dem Konflikt um Tara beschäftigt, dem sagenumwobenen Hügel mit mehreren frühzeitlichen Monumenten, der durch einen Autobahnbau bedroht wurde. Neben der Befürchtung, Touristen zu verschrecken, beschäftigte auch sehr viele Iren tatsächlich der Gedanke, dass man die Naturgeister des Ortes verärgern könne.
Es kann kein Zufall sein, dass eine sehr ähnliche Geschichte in diesem Roman vorkommt, hier muss ein uraltes Waldgebiet weichen.
In den 1980ern verschwanden in eben diesem Wald zwei Kinder, das dritte Kind, das mit den beiden gespielt hatte, wurde gefunden, hatte aber seltsame Scharten am Rücken und sein Gedächtnis verloren. Zwanzig Jahre später ist dieser Junge Polizist, hat seinen Namen von Adam in Robert geändert und muss selbst an einem Fall von Kindsmord arbeiten: ein Mädchen wurde erschlagen auf einem alten Opferstein im Wald gefunden.
Im Laufe der Geschichte verweben sich zunächst Vergangenheit und Gegenwart, Rob versucht sich immer wieder doch zu erinnern, was an diesem Tag vor vielen Jahren geschah, doch nur Bruchstücke von davor und danach fallen ihm ein. Oder kommt er der Lösung doch nahe, wagt sie aber nicht zu denken?
Der Roman hebt sich weit über den Durchschnitt moderner Krimis durch die unzähligen versteckten Anspielungen, die einem oft erst Seiten später in ihrer Wichtigkeit deutlich werden, die verwobenen Handlungsstränge und das sehr ungewöhnliche Ende, das den Leser zurück in den Roman schickt, um noch eine eigene Lösung zu erdenken.
Kennt man zum Beispiel "Wuthering Heights", das Cassie in dem Buch begeistert liest, fällt einem auf, dass es einfach kein Zufall sein kann, dass auch hier eine junge Frau zwischen zwei Männern entscheiden muss: dem bodenständigen, wohlhabenden Sam und den etwas verrückten, zu Irrationalität und manchmal zu Wutausbrüchen neigenden Rob, bei dem man sich auch als Leser mehr und mehr wundert, was man von ihm halten soll. Auch dass der Protagonist als Kind seine Erinnerung verliert und unter einem anderen Namen weiterlebt zieht Parallelen zum Bronte-Roman. Als schließlich Rob sich ärgert, dass eine Frau aus der Nachbarschaft behauptet, die Geister seiner Spielkameraden gesehen zu haben, ihm das aber verwehrt bleibe, denkt man: Lockwood.
Und dies ist nur ein Beispiel zu zeigen, in welche Tiefen French gehen kann. (Noch eines: Cassie erzählt Rob von einem Kommilitonen erzählt, der sie ausnutzte und schließlich mit anderen mobbte. Auf die Frage Robs, wie der Name dieses Kerls war, antwortet sie: "Legion". Und man muss das Zitat dazu kennen.)
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Anmerkung zum Ende, nur wenn man das Buch schon kennt, siehe Kommentar.
- Kindle CustomerReviewed in India on 3 June 2018
5.0 out of 5 stars Intriguing!
The book is very gripping and intriguing!
Extremely well written plot and well structured!
The story stays with you for a while.
A good read for sure!
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anna mariaReviewed in Italy on 5 April 2019
5.0 out of 5 stars In the wood
Opera prima di questa autrice, è un affresco su una nazione, un romanzo di formazione, un viaggio agli inferi dei detective coinvolti...un crimine orrendo porterà i protagonisti a confrontarsi con i propri demoni ma anche a risolvere il crimine ma nello stesso tempo le loro vite saranno segnate per sempre. Bello, intenso e coinvolgente!