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In the Woods: A stunningly accomplished psychological mystery which will take you on a thrilling journey through a tangled web of evil and beyond - to ... (Dublin Murder Squad series Book 1) Kindle Edition

4.0 out of 5 stars 30,437 ratings

When he was twelve years old, Adam Ryan went playing in the woods with his two best friends. He never saw them again. Their bodies were never found, and Adam himself was discovered with his back pressed against an oak tree and his shoes filled with blood. He had no memory of what had happened.

Twenty years on, Rob Ryan - the child who came back - is a detective in the Dublin police force. He's changed his name. No one knows about his past. Then a little girl's body is found at the site of the old tragedy and Rob is drawn back into the mystery. Knowing that he would be thrown off the case if his past were revealed, Rob takes a fateful decision to keep quiet but hope that he might also solve the twenty-year-old mystery of the woods.

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From the Publisher

Dublin Murders on BBC One inspired by the novels In The Woods and The Likeness by Tana French

Dublin Murders on BBC One inspired by the novels In The Woods and The Likeness by Tana French

Dublin Murders on BBC One inspired by the novels In The Woods and The Likeness by Tana French

Dublin Murders on BBC One inspired by the novels In The Woods and The Likeness by Tana French

Dublin Murders on BBC One inspired by the novels In The Woods and The Likeness by Tana French

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Review

The most breathtakingly brilliant and close-to-perfect thriller I've read for a long time. I stayed up until three in the morning two nights running unable to put it down. ― Sophie Hannah

French expertly walks the line between police procedurial and psychological thriller in her debut.' ―
Publishers Weekly

'This is a wonderfully assured and beautifully written debut novel, a multilayered psychological thriller that digs beneath the surface of ordinary lives and delivers excitement and insight in large helpings.' ―
Irish Independent

A masterpiece ―
Evening Herald

Beneath the lyrical descriptions of hot summers and happy childhood memories in small town Ireland lies an unsettling psychological thriller... A compelling page-turner of sinuous twists and turns. ―
Choice Magazine

A must-read is Irish writer Tana French's IN THE WOODS, a literary, dark and absolutely compelling book set in Dublin where all manner of secrets are unearthed. ―
Reviewing the evidence

A real show-stopper of a thriller . . . Author tightens the tension slowly until squealing point; Ryan's increasingly taut relationship with Maddox is woven cunningly around the crime plot. A splendid, page-turning debut. ―
She

A compellingly complex case with nuanced characters and a richly detailed sense of place ―
Kirkus Reviews

Lyrical and haunting ―
Scotland on Sunday

This astonishing first novel weaves a web of intrigue to confound even the most astute: and its denouement, swift, shocking and sublimely executed, will remain with the reader long after the final page has been turned. ―
Margaret Carragher Sunday Independent Dublin

Tana French's IN THE WOODS is a terrific debut . . . French's psychological insights into the damaged policeman's torment combine grippingly with the clammy atmosphere that surrounds the lethal woods. As an example of a novel in which the past returns to haunt the present, this scores very high marks. ―
Marcel Berlins, The Times

A brilliant first novel . . . the reader's attention is slackened and tightened with a masterly hand. ―
Literary Review

About the Author

Tana French grew up in Ireland, Italy, the United States and Malawi. She is the author of In the Woods (winner of the Edgar, Anthony, Macavity and Barry awards for Best First Novel), The Likeness, Faithful Place, Broken Harbour (winner of the LA Times prize for Best Mystery/Thriller), The Secret Place and The Trespasser (Crime Fiction Book of the Year, Irish Book Awards).
She lives in Dublin with her husband and two children.
www.tanafrench.com

Product details

  • ASIN ‏ : ‎ B002V091ZW
  • Publisher ‏ : ‎ Hodder & Stoughton (13 Nov. 2008)
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 3.3 MB
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Enabled
  • Word Wise ‏ : ‎ Enabled
  • Print length ‏ : ‎ 612 pages
  • Customer reviews:
    4.0 out of 5 stars 30,437 ratings

About the author

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Tana French
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Tana French is the author of In the Woods, The Likeness, Faithful Place, Broken Harbor, The Secret Place, and The Trespasser. Her books have won awards including the Edgar, Anthony, Macavity, and Barry awards, the Los Angeles Times Award for Best Mystery/Thriller, and the Irish Book Award for Crime Fiction. She lives in Dublin with her family.

Customer reviews

4 out of 5 stars
30,437 global ratings

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Customers say

Customers find the book a gripping read with well-written prose and a storyline that twists and turns to keep them interested. The characters are well-constructed, with one review specifically praising Detective Rob Ryan's portrayal. While some customers consider the pacing perfect, others find it slow-moving, and several mention the book is rather long at almost 600 pages.

AI-generated from the text of customer reviews

144 customers mention ‘Readability’144 positive0 negative

Customers find the book highly readable, describing it as a riveting and engaging page-turner that makes for a binge read.

"...third, and I'm happy to report that so far, they're as excellent and compelling as the first." Read more

"...The characterisation is excellent on the whole, not just of the main players, but of the team around Rob and Cassie, and of the various people they..." Read more

"...The novel started well, with the mysterious element of the missing children and then the discovery of another body...." Read more

"...novel, knocking just short of 600 pages but it is a great journey for the reader to travel. I loved the mix and balance of this story...." Read more

128 customers mention ‘Storyline’93 positive35 negative

Customers enjoy the storyline of the book, which features twists and turns that keep readers interested and plenty of suspense.

"...was convincingly crafted; sympathetic without sentimentality, witty, insightful (both with hindsight and without it); the novel is paced perfectly,..." Read more

"...However, the strengths – quality of writing, plotting, characterisation - undoubtedly outweigh the weaknesses – excessive padding, occasional..." Read more

"...of Detective Rob Ryan, a great back story, mystery, a good plot, a good cast of supporting police officers, a good range of suspects for the murder..." Read more

"...But overall, the ending was very disappointing, I expected her to tie up loose ends- normally I'm not one for knowing all of a story or having the..." Read more

122 customers mention ‘Writing quality’98 positive24 negative

Customers praise the writing quality of the book, noting its well-crafted prose and skillful execution, with one customer highlighting its hard-edged realism.

"...Like all brilliant novels, this one made me sorry to reach the end, and sad to take my leave of the characters, wishing there was more and wondering..." Read more

"...However, the strengths – quality of writing, plotting, characterisation - undoubtedly outweigh the weaknesses – excessive padding, occasional..." Read more

"...The concept of the novel was excellent and intriguing and after reading Faithful Place, I had high hopes of the novel...." Read more

"...I found In the Woods a great book to live with. It is written in the first person following Detective Rob Ryan of the Dublin Murder Squad...." Read more

79 customers mention ‘Characterisation’64 positive15 negative

Customers praise the well-constructed characters in the book, noting how the author conveys their internal struggles, with one customer highlighting the strong portrayal of Detective Rob Ryan.

"...The character was convincingly crafted; sympathetic without sentimentality, witty, insightful (both with hindsight and without it); the novel is..." Read more

"...However, the strengths – quality of writing, plotting, characterisation - undoubtedly outweigh the weaknesses – excessive padding, occasional..." Read more

"...Rosalind was also a fascinating character who fitted well in the novel...." Read more

"...It has police procedure, strong characterization of Detective Rob Ryan, a great back story, mystery, a good plot, a good cast of supporting police..." Read more

17 customers mention ‘Gripping story’17 positive0 negative

Customers find the book's story totally gripping from the beginning, with one customer highlighting its first-person narrative and another noting its plenty of tension.

"...; the novel is paced perfectly, with plenty of tension which is uneasily relieved here and there by dark levity...." Read more

"...I did manage to finish the book and found it gripping initially, but after the first 100 or so pages elements really started to annoy me...." Read more

"...Rob and Cassie is so beautifully and painfully explored - fraught, highly strung and touching...." Read more

"Whilst this was well-written and a gripping page-turner in many respects I was left so angry at the end...." Read more

38 customers mention ‘Pacing’24 positive14 negative

Customers have mixed opinions about the pacing of the book, with some finding it perfectly paced while others describe it as slow moving.

"...was convincingly crafted; sympathetic without sentimentality, witty, insightful (both with hindsight and without it); the novel is paced perfectly,..." Read more

"...Which is pretty lazy. Also the ending was like right okay grand that’s it then. No real edge of the seat can’t wait to read on moments." Read more

"...by French's version of crime fiction, police procedural and psychological thriller, all carefully showing she is a literary fiction writer, who..." Read more

"This is a masterful piece of writing from Tara. Her fresh figures of speech, and her descriptions are polished to a high sheen...." Read more

42 customers mention ‘Story quality’0 positive42 negative

Customers find the story quality poor, describing it as utterly boring rubbish and unconvincing.

"...The prologue is one of the most overblown, over-written pieces of pure purple I've come across in crime writing, and I barely made it through...." Read more

"...rather a lot in the middle of the book and the narrative cluttered with far too many descriptions, which resulted in me skipping large chunks of it..." Read more

"...better detective than our clumsy plods or it is simply that the book is pretty awful. My money is on the second proposition actually!..." Read more

"...I found the ultimate revelation of who actually ‘done it’, and why, unconvincing and unsatisfying...." Read more

18 customers mention ‘Length’0 positive18 negative

Customers find the book's length excessive, with multiple reviews noting it is almost 600 pages long, and some mentioning they skipped more pages than they read.

"...A more serious weakness is the sheer length of the book in relation to its content...." Read more

"...It's a pretty hefty book and I found a difficult read. The characters were well contstructed, I liked Det...." Read more

"...The book was 600 pages long and half of those pages were just rumblings!..." Read more

"...this the second I'd finished it, but good lord, there are SO many dashes! They're everywhere!..." Read more

Top reviews from United Kingdom

  • Reviewed in the United Kingdom on 4 December 2014
    Reading the first couple of pages, my heart sank slightly: the author was doing what a lot of 1st-time novelists do, and aiming to impress with self-consciously poetic descriptions. I almost decided to stop reading. But I'm so glad I carried on! Once I'd got past those opening pages, I could barely put the book down. The author relaxed into a confident and truly impressive first-person narrative. The character was convincingly crafted; sympathetic without sentimentality, witty, insightful (both with hindsight and without it); the novel is paced perfectly, with plenty of tension which is uneasily relieved here and there by dark levity. Other characters, even minor ones, are drawn just as vividly and credibly. The character who is eventually revealed as the principal villain is a masterpiece of everyday scariness. There was something disturbingly familiar about this person, which had me wracking my brains anxiously to try and remember whom, in my own life, they reminded me of - as you can tell, this character was truly brought to life! I also loved the way the author handled friendships, relationships between all the characters, the generally human angles. This was all done with a pleasingly economical hand. Once again, although the book is full of heart, full of passions both dark and light, it is not sentimental - a major plus, in my opinion.
    The story centres on the murder of a child, but somehow, the death - although, obviously, a tragic event - is not necessarily the most devastating aspect of the tale. We do eventually discover whodunnit, but this is far from the biggest shock.
    One of the things I admire most about this novel is that the author does a very brave thing: she avoids the temptation to answer every question and solve every mystery. Indeed, there is one massive mystery which remains so - lesser authors might well have felt the need to tie up every loose end. French resists this trap! Some might find this frustrating and unsatisfying - and in a way, it is - but, I think, in a good way. Personally I find the concept of over-neat 'closure' naive and simplistic - real life just isn't like that, so why should a convincing novel be? Rather than feel disappointed about the unsolved mystery, it amused me, and left half of me admiring French all the more for taking that risk and giving her readers such a refreshing change. Though, of course, the other half of me hopes that French might, at some point in the future, take up this thread of the story again, along with its engaging characters, and show us where it leads!
    Like all brilliant novels, this one made me sorry to reach the end, and sad to take my leave of the characters, wishing there was more and wondering what was going to happen to them next. All in all this was a cracking read. It has made a Tana French fan of me: I've bought all her subsequent books now, am halfway through the third, and I'm happy to report that so far, they're as excellent and compelling as the first.
    9 people found this helpful
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  • Reviewed in the United Kingdom on 16 March 2016
    In 1984, three children went into the woods in Knocknaree. Only one returned, with blood – not his own – in his shoes, so traumatised he is never able to remember what happened. The other two children have never been found. That traumatised child is now a detective on the Murder Squad, Rob Ryan. And when another child is found murdered in Knocknaree, he and his partner Cassie are given the case.

    I've heard so many people rave about Tana French that my expectations were very high going into this, and to some degree they were met. I freely admit that I might have given up within a few pages though, if I had heard nothing about the book. The prologue is one of the most overblown, over-written pieces of pure purple I've come across in crime writing, and I barely made it through. Happily, however, having got that out of her system, her writing settles down for the most part to a consistently high standard, only occasionally reverting to purple.

    The plot is complex, with several possible motives for why Katy Devlin was murdered. Something about the family seems a bit off, leading the detectives to wonder if there are hidden secrets there. Katy's father is leading a protest movement against a new road and has been threatened by unknown people if he continues, so it looks like there may be a thread of political corruption there. Katy seems to have left her house in the middle of the night, so there's a question of whether she knew her murderer and if so how. Or is it possible that the crime is somehow linked back to the earlier tragedy in the woods? Rob knows he should make his boss aware of his links to the earlier crime and step down from the investigation, but he is desperate to be involved, hoping that somehow his memories will return and he will finally know the truth about what happened back then.

    The characterisation is excellent on the whole, not just of the main players, but of the team around Rob and Cassie, and of the various people they come across during the investigation. The one exception, and it's an important one, is the character of Rob himself. Unfortunately, his voice sounded irredeemably feminine to me, not just in his constant focus on emotions and poetic descriptions of his partner Cassie's many perfections, but in actual use of words. (The thought of a straight male Dublin police officer describing one of his straight male colleagues as looking 'adorable' actually made me laugh out loud.) However, the quality of the writing and plotting was high enough to mostly carry me over this weakness.

    A more serious weakness is the sheer length of the book in relation to its content. At over 600 pages (according to Amazon – I had the unnumbered Kindle version myself), the book is seriously overpadded. I reckon it could have lost 200-300 pages and been the better for it. While the story of Rob's attempts to regain his lost memories is intriguing, it becomes repetitive after a while, with great swathes of the book devoted to discussing the same event again and again with very little, if anything, being added each time. No matter how well written these digressions may be, they merely serve to make the thing go at a snail's pace – an elderly snail, at that. Even when the main solution is revealed, the book goes on for a further nearly hundred pages tying everything up, or not, as the case may be. And, as many reviewers have pointed out with varying degrees of dissatisfaction, the resolution is partial, with a bit of spooky woo-woo not really providing a satisfactory reward for 600 pages worth of reader perseverance.

    However, the strengths – quality of writing, plotting, characterisation - undoubtedly outweigh the weaknesses – excessive padding, occasional drifts into purple prose, failure to resolve a major plot line. As a debut it is good, and I look forward to reading more of her work to see how her style develops as she progresses. 3½ stars for me, so rounded up.
    8 people found this helpful
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  • Reviewed in the United Kingdom on 18 July 2011
    I read this book after reading Tana French's most recent novel: Faithful Place. The concept of the novel was excellent and intriguing and after reading Faithful Place, I had high hopes of the novel. It's a pretty hefty book and I found a difficult read. The characters were well contstructed, I liked Det. Ryan, I thought he was very well rounded and the background history to his character fitted well with his characterisation. Rosalind was also a fascinating character who fitted well in the novel. I think the only character I struggled with was Cassie, I don't know why but I couldn't warm to her or find a connection to her character. The novel started well, with the mysterious element of the missing children and then the discovery of another body. However, my high hopes for the novel declined because as the novel progressed I felt myself losing interest, the story waned rather a lot in the middle of the book and the narrative cluttered with far too many descriptions, which resulted in me skipping large chunks of it just to get through. The conclusion of the murder was good, very interesting and I liked the way it was thought through. But overall, the ending was very disappointing, I expected her to tie up loose ends- normally I'm not one for knowing all of a story or having the ends tied up, because sometimes it doesn't quite fit. In this case, I think that it was necessary to tie up those loose ends and the fact that the story was left open disappointed me, because I felt like that was the whole point of carrying on reading. I'd have preferred to know what happened to Jamie and Peter, it's too big of a topic to just leave open and I think that the novel could've been far better than it was.
    3 people found this helpful
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Top reviews from other countries

Translate all reviews to English
  • Susan Mills
    5.0 out of 5 stars A psychological mystery tour-de-force
    Reviewed in the United States on 30 March 2022
    One of the murder unit detectives questions a suspect, trying to persuade him to implicate himself, in great detail. She tells him that the ones who suffer the most are the ones who never tell anyone. They hold it in and it slowly eats away at them. They become depressed, guilt-ridden, many commit suicide. While she’s telling him this, she thinks to herself that, unfortunately, it’s not true. Of the people who commit bad acts and are never discovered, many go on with their lives. They manage to bury it inside themselves, to ignore it, to persuade themselves it never happened, to convince themselves they’re good people and what they did was right and necessary, or whatever; but they manage just fine.
    This is a trope for the novel as a wholes and for the main character in particular. Rob Ryan, her partner and friend, is involved in the case they’re investigating up to his neck, but is also living with his own buried memories about what happened when he was 12 years old when two of his friends disappeared in the woods one night, forever, and only he was found, with the blood of his friend in his sneakers. The case they’re working on brings him back to the scene, so the nightmarish case they’re working on throws him headlong into his own repressed memories, which begin to emerge and psychologically torture him. What happens with the memories is one of the two mysteries of the novel.
    I’m tempted to agree with many people that the lack of resolution to this mystery is frustrating. And so it is. And yet, it also seems very realistic, which in my mind largely redeems French’s choice here. Maybe Ryan can’t live with being conscious of what really happened. Repressing it may just be his best option in order to move on with his life. Which, for sure, has been seriously compromised by those events of his childhood, and their aftermath. The reader wants and hopes and wishes so hard for him to realize something, to overcome his emotional handicaps and right his important relationships. In real life, his struggle, and therefore the reader’s, is likely to be endless. Life is frustrating, and such emotional scars can easily affect us for our entire lives.
    The book is deeply crafted, well-written, with complex characters and relationships, each with complicated pasts, and the story challenges the reader. That’s a good thing. I did find it overly verbose at times, but this is a minor criticism. One of the best crime mysteries I’ve read. (This is my first read of a Tana French book, so I can’t compare.)
  • Giuseppe Guida
    1.0 out of 5 stars i dont like the writing style
    Reviewed in the Netherlands on 8 May 2021
    it misses tension and it doesnt create any thrills. it lacks of emotions. i was just tempted to skip pages and thats when i thought to stop
  • Dodo
    5.0 out of 5 stars Vielschichtig, subtil, anspruchsvoll. Ein Buch zum Mehrfachlesen.
    Reviewed in Germany on 17 December 2012
    In der irischen Literatur fallen traditionell sehr oft Wirklichkeit und "Anderswelt" zusammen, Mystisches und Märchenhaftes dringt in den Alltag ein, Feen, Kobolde und andere Wesen bevölkern die Wälder, Hügel, Seen und Flüsse.
    Tana French lebt in Dublin und hat sich sicher auch mit dem Konflikt um Tara beschäftigt, dem sagenumwobenen Hügel mit mehreren frühzeitlichen Monumenten, der durch einen Autobahnbau bedroht wurde. Neben der Befürchtung, Touristen zu verschrecken, beschäftigte auch sehr viele Iren tatsächlich der Gedanke, dass man die Naturgeister des Ortes verärgern könne.

    Es kann kein Zufall sein, dass eine sehr ähnliche Geschichte in diesem Roman vorkommt, hier muss ein uraltes Waldgebiet weichen.

    In den 1980ern verschwanden in eben diesem Wald zwei Kinder, das dritte Kind, das mit den beiden gespielt hatte, wurde gefunden, hatte aber seltsame Scharten am Rücken und sein Gedächtnis verloren. Zwanzig Jahre später ist dieser Junge Polizist, hat seinen Namen von Adam in Robert geändert und muss selbst an einem Fall von Kindsmord arbeiten: ein Mädchen wurde erschlagen auf einem alten Opferstein im Wald gefunden.

    Im Laufe der Geschichte verweben sich zunächst Vergangenheit und Gegenwart, Rob versucht sich immer wieder doch zu erinnern, was an diesem Tag vor vielen Jahren geschah, doch nur Bruchstücke von davor und danach fallen ihm ein. Oder kommt er der Lösung doch nahe, wagt sie aber nicht zu denken?

    Der Roman hebt sich weit über den Durchschnitt moderner Krimis durch die unzähligen versteckten Anspielungen, die einem oft erst Seiten später in ihrer Wichtigkeit deutlich werden, die verwobenen Handlungsstränge und das sehr ungewöhnliche Ende, das den Leser zurück in den Roman schickt, um noch eine eigene Lösung zu erdenken.

    Kennt man zum Beispiel "Wuthering Heights", das Cassie in dem Buch begeistert liest, fällt einem auf, dass es einfach kein Zufall sein kann, dass auch hier eine junge Frau zwischen zwei Männern entscheiden muss: dem bodenständigen, wohlhabenden Sam und den etwas verrückten, zu Irrationalität und manchmal zu Wutausbrüchen neigenden Rob, bei dem man sich auch als Leser mehr und mehr wundert, was man von ihm halten soll. Auch dass der Protagonist als Kind seine Erinnerung verliert und unter einem anderen Namen weiterlebt zieht Parallelen zum Bronte-Roman. Als schließlich Rob sich ärgert, dass eine Frau aus der Nachbarschaft behauptet, die Geister seiner Spielkameraden gesehen zu haben, ihm das aber verwehrt bleibe, denkt man: Lockwood.

    Und dies ist nur ein Beispiel zu zeigen, in welche Tiefen French gehen kann. (Noch eines: Cassie erzählt Rob von einem Kommilitonen erzählt, der sie ausnutzte und schließlich mit anderen mobbte. Auf die Frage Robs, wie der Name dieses Kerls war, antwortet sie: "Legion". Und man muss das Zitat dazu kennen.)

    ----------------------

    Anmerkung zum Ende, nur wenn man das Buch schon kennt, siehe Kommentar.
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  • Kindle Customer
    5.0 out of 5 stars Intriguing!
    Reviewed in India on 3 June 2018
    The book is very gripping and intriguing!
    Extremely well written plot and well structured!
    The story stays with you for a while.
    A good read for sure!
  • anna maria
    5.0 out of 5 stars In the wood
    Reviewed in Italy on 5 April 2019
    Opera prima di questa autrice, è un affresco su una nazione, un romanzo di formazione, un viaggio agli inferi dei detective coinvolti...un crimine orrendo porterà i protagonisti a confrontarsi con i propri demoni ma anche a risolvere il crimine ma nello stesso tempo le loro vite saranno segnate per sempre. Bello, intenso e coinvolgente!

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