Will Graham's beachside house was actually owned by avant-garde artist, Robert Rauschenberg.
Thief, from 1981 […] felt like a belated New Hollywood feature, steeped in the immediate misery of its protagonist. His 1986 adaptation of Thomas Harris’s Red Dragon, however, is contemporary to a fault, so reflective of current aesthetic trends that it becomes a quintessential depiction of them.
— Jake Cole (Slant Magazine)
A feature-length riff on Nietzsche’s old quote about looking long into the abyss.
— Sean Burns (RogerEbert.com)