Scenes [of everyday details] are all presented with a breezy, matter-of-factness. We experience them as Billi experiences them. At a time when ‘culture’ (commonly shorthand for non-white cultures) is often treated like a decorative object to be unveiled and explained for an unfamiliar audience, this simple self-presentation that answers to no one is refreshing. [And] released from the compulsion to translate this world for an imagined other and given the freedom to sit with it as it is and really look, I felt a deep love for everyone on-screen; and, unnaturally, a self-love.
— Rebecca Liu (Another Gaze)