Notes on…

Parasite(2019)

Dir. Directed by Bong Joon-ho


Members of polite society, […] just a few years ago, were basking in the afterglow of end-of-history market liberalism, backslapping one another from within their boardrooms about the beauty of endless economic growth and the business “win-win”. Now that this world-that-never-was has come crumbling down, Parasite offers a parable on the rot at the foundations of the proverbial house.

There is definitely something vampiric – parasitic – about the elite tutoring world [depicted in Parasite], which has grown from being a folksy after-school job to a global $96 million-dollar industry: lease your brains and unspool your unspent promise to our wealthy children, young underemployed graduate, because your future is already dead.

[In Parasite, we observe] the impossible weight of being so dependent on another for money or grace and the slow-burning pain of living in a world which insists you could be so much more than you currently are, with the hidden clause being if only you were born to someone else.

Rebecca Liu (Another Gaze)


The Oscars needed a Parasite more than Parasite needs the scars.

John Bleasdale (Writers on Film)

All unemployed, Ki-taek's family takes peculiar interest in the wealthy and glamorous Parks for their livelihood until they get entangled in an unexpected incident.