Depressing movies with unhappy endings are often seen as offering a bracing contrast to the standard Hollywood fare. This may help explain the appeal of Brokeback Mountain, whose drafts of misery are seen by some people as daringly honest and authentic. […] I would argue that a certain complacency surrounds some of these doom-ridden scenarios, especially ones that suggest social change is impossible–a vested interest in the status quo, even conservatism, seems to lurk behind the apparent apoliticism.
— Jonathan Rosenbaum (Chicago Reader)