The film never resolves itself to whether it is providing the pleasures of the 'solo' prison breakout movie (eg. A Man Escaped [1956]) or the 'group' breakout movie (eg. Le Trou [1960]). Whilst visually quite similar, two subtypes are IMHO almost different genres given their different philosophical implications and that they seem to hit different pleasure points in the brain. (Alas, another film where the sub rosa 'based on a true story' immobilises analysis of how the film might have been different.)