What truly saves the film from pure sentimentality is its performers. Giamatti makes a meal out of his character’s caustic world-weariness, constantly launching into amusing anecdotes about ancient civilization even during the most casual of conversations.
— Mark Hanson (Slant)
It’s not Payne’s funniest film, but it does address the question that many of his films ask: If men shouldn’t be like this, what should they be like? And the answer is, well, sort of like this. Paul and Angus tease one another fondly and without malice, speak with candor and not cruelty. To come within even an arm’s length of the Barton man ideal, the two must thumb their noses at the concept entirely.
— Annie Berke (The New Republic)
A curmudgeonly instructor at a New England prep school is forced to remain on campus during Christmas break to babysit the handful of students with nowhere to go. Eventually, he forms an unlikely bond with one of them — a damaged, brainy troublemaker — and with the school’s head cook, who has just lost a son in Vietnam.