Ross is primarily concerned with how individual lives are viewed and considered. His view is that of an outsider who has been entrusted with intimate access to others, and his film constantly seems to be negotiating that trust, embracing mundane and magical moments while observing more serious incidents from a distance, or not at all.
— Christopher Gray (Slant Magazine)
Synopsis: Composed of intimate and unencumbered moments of people in a community, this film is constructed in a form that allows the viewer an emotive impression of the Historic South - trumpeting the beauty of life and consequences of the social construction of race, while simultaneously a testament to dreaming.