A film that, for all its metacinematic curls and coils, ultimately is about the inscrutability of human relationships: between husband and wife, between director and subject, between viewer and screen.
— Michael Koresky (Reverse Shot)
A film that, for all its metacinematic curls and coils, ultimately is about the inscrutability of human relationships: between husband and wife, between director and subject, between viewer and screen.
— Michael Koresky (Reverse Shot)